As is my custom on a first scouting of a local wildlife area, I employed my enduro motorcycle which offers greater accessibility but less space for camera gear. Fortunately my sparse provisions included a lens capable of 135mm at an f/5.6 aperture to render this photograph.
As the tide came in, this flock of Roseate spoonbills was forced closer to shore so they could continue to wade and hunt in shallow water. Nikon D850, Nikkor 200-500mm f/5.6, 1/2500 sec, 500mm, aperture f/5.6, iso 720
Botany Bay is a wildlife preserve on Edistow island in South Carolina. This landscape photograph was not taken during the so called “golden hours” but instead during harsh midday sun and handheld without the benefit of a tripod, at a relatively slow 1/320 sec shutter speed. The Tamron SP 24-70mm f/2.8 Di VC USD G2 lens employing a f/16 aperture and employing Tamron’s vibration control on a Nikon D850 has seemingly allowed the breaking of rules.
A Nikon 200-500mm f/5.6E ED AF-S VR lens, aperture f/5.6, 1/4000 shutter speed, mounted on the Nikon D500 captured this bird in flight image. I’m certainly not alone in my enjoyment of the venerable Nikon D500/200-500mm combination.
The 1.5 crop factor of this APS-C camera coupled with the 200/500mm delivers a incredibly budget friendly f/5.6 750mm range without any of the image distortion, and auto focus degradation associated with teleconverters.
Even though the 45 mega pixel full frame capabilities of Nikon’s D850 complement the 200/500 quite nicely, this D500’s lower resolution produces a good result, particularly if the D850 output requires cropping which the D500’s 750mm equivalent range may not require.